Monthly Archives: August 2016

Pastel haze / behind the scenes

It’s always a pleasure to photograph Gabriella Olar’s stunning dresses, I mean, look at this pastel pink beauty, how could you not fall in love with it at first sight? ♥

The initial idea was to shoot this set in the same location of the first capture because I liked the flowery hanging plant and thought it would go nice with the feminine styling. But – BUMMER! – the flowers were loaded with wasps and made Manuela (the model)’s job way too difficult. We couldn’t hang out too much in that area unfortunately, so we had to move around the garden and improvise in other, more safe, spots.

Why did I pick just four captures this time? Ha! I always tend to pick way too many photos from a set, especially if it’s one I absolutely love, which in the end turns out to be quite a waste of time. Not only do people get bored to see a thousand similar captures from the same set, but it happens to myself as well. Plus, I often feel that the best images from a particular set will be out shined by sharing a multitude of other similar captures. So I’m trying hard to get rid of my bad habits and learn to pick just the best of the best. Believe me, it’s not an easy task at all! I managed to do it this time, but who knows if I’ll make it next time…

For this session, Manuela did her own make-up and hair styling and we also had Rebeca to help us out (you know, that dress can’t flow itself like that).
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The Red Dress / before and after

Hey’a! Ready to start a new week? Thankfully, today is Saint Mary’s Day in Romania, which means it’s a national holiday – so I get to stay home and catch up with all the pile of stuff waiting to be done 😀 I really need to improve my time management and work-life balance before I burn myself out. Any tips or ideas?

Anyway, this week I thought I should give you a glimpse of the workflow behind my finished images, illustrated by two before and afters from the “Red Dress” photoshoot.

First of all, I don’t have a certain recipe that I use on all my images. Although I did create a few actions over time with my favourite settings to speed up my workflow, I often have to play a lot with the color toning to achieve a certain look while the amount of time I spend on an image can be anything from 10 minutes to a few hours. It all depends on the image itself, how much retouching is involved and how fast I can achieve the desired look.

Second of all, even if I get an image almost technically perfect right on camera, that’s not enough for me. I’ll always work on it afterwards as well, making it pop, retouching certain flaws, or even completely changing color tones to bring it closer to my imagination. Also, sometimes I know exactly what I want to achieve from the start. Other times, it’s a matter of experimenting for ages until I like the result. And there are also times when I randomly play with the settings and love the outcome in only a couple of minutes.

Now let’s see the two examples.

First one was quite fast – about 30 minutes. The dress was nicely exposed, but the sky was overexposed, so I tried to fix that in RAW as much as I could. Manuela, the model, has natural beautiful skin, so there wasn’t much skin retouching needed in this capture. I enhanced the highlights and shadows and lightened the dress up a bit. I added some flare on the right side, where the light is coming from the sun, but at very low opacity and masking out the rest. For the coloring, I played with my usual – Curves, Selective Color, Color Balance, Levels – to give it a warmer look.
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Now on to the second one. It took me a longer time to achieve this look – about an hour or maybe a bit more. We shot this in a forest, and the light was gorgeously passing through the trees, creating spotlight areas. I had Manuela walk around one of this areas and twirl the dress’ fabulous fabric. It was hard to pick my favourites, as I already mentioned in the previous post, as every single capture felt like taken out of a fairytale.

However, as you can see in the before image, the whole scene came out quite dull overall. The dress isn’t really popping and the light looks washed out. It took me a lot of layers to get to the result on the right. Again, there wasn’t much skin retouching involved, but plenty of experimenting with color toning and enhancing lights & shadows. Once obtaining the final result, I simply copy the layers on the other similar captures to get the same look on them too and only adjust where necessary.

Oh, yes, I also composited part of the dress from another similar capture, because I loved the pose and expression in this one, but I didn’t capture the dress to its potential. I did the compositing part first things first, before the rest of the edits.

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Model & MUA: Manuela Ticarat

Dress by Gabriella Olar.

The Red Dress / behind the scenes

Hey, hey hey!

I’m back with a new post after a long tiring weekend of editing, doing back-ups and reinstalling most of my laptop because, oh well, #shithappens. Hope your weekend was better than mine! Thankfully I didn’t lose anything important this time, but each time this happens I’m reminded of how important it is to always, always, alwaaaays, back-up all your stuff as often as possible.

In the meanwhile of these events, I also took the decision to challenge myself and post a new article every Monday, photography and/or travel related, of course. Yup, that’s right, from now on you can tune in here every Monday morning while enjoying your coffee. You may also scold me if I miss one day of posting, but let’s just hope it won’t be necessary.

So, today I’m taking you on a tour through one of my recent photosessions featuring beautiful Manuela and a stunning red dress by Gabriella Olar.

The minute I saw this dress I wanted to capture it, but can I tell you a secret? Honestly, I didn’t have a clear idea of how this should turn out.

I only knew I wanted to photograph the dress somewhere in the middle of the nature, so we decided to head over to the closest forest and see if we got inspired right on the spot. And we did. The way the light was passing through the trees at sunset, the way the wonderful dress was flowing and swaying with Manuela’s every step and twirl, it just made it so so hard to pick out my favourites from the set. I wanted to edit them all!

And then, while running away from the mosquitoes and back to the car, I got a glimpse of the golden field stretching on our left – so we jumped in for more captures. Well, we didn’t literally jump in – didn’t want to ruin the dress -, but rather worked the best we could from the sidewalk. And I think it did the trick, because I’m so in love with these captures! Wouldn’t mind seeing one of them on a book cover, hehe. 🙂

I know I’ve been saying this a lot, but the simplest setups often result in the best outcomes, at least in my case. A reminder that you don’t always need a lot of stuff to create something nice. Manuela did her own make-up this time and I helped a bit with the hair styling. We also had lovely Rebeca as an assistant to help us out with the dress for certain captures.

Somebody told me on my facebook page that this series reminds her of Snow White fairytale. For me, it has more of a Jane Austen kind of story feeling, especially the set in the field.

And for you?

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